Horror maestro John Carpenter may be the king of scares, but his cinematic palate is far more diverse than you might expect. This month, he’s stepping out of the shadows to recommend two films on TCM that have nothing to do with horror—and everything to do with gripping storytelling.
While TCM’s October lineup is packed with spine-chilling classics and hidden gems, Carpenter’s picks lean into the gritty worlds of crime and film noir. And this is the part most people miss: his choices aren’t just about the genres themselves, but the timeless craftsmanship that makes these films unforgettable.
First up is The Asphalt Jungle (1950), a crime masterpiece that Carpenter hails as 'one of the great all-time crime movies.' Directed by the legendary John Huston, the film follows a meticulously planned heist that spirals into chaos thanks to betrayal, bad luck, and relentless police work. But here’s where it gets controversial: while the plot is undeniably gripping, it’s Sterling Hayden’s raw, magnetic performance that steals the show. Carpenter’s admiration for the film is palpable, and it’s easy to see why—this isn’t just a heist movie; it’s a study of human greed and fragility. Fun fact: the film also features a young Marilyn Monroe in one of her earliest roles, a subtle reminder of the star power brewing behind the scenes.
Next, Carpenter shines a spotlight on Gaslight (1944), a psychological thriller that doubles as a masterclass in tension and manipulation. Starring Ingrid Bergman and Charles Boyer, the film tells the story of a woman returning to her aunt’s London home—the site of a murder—with her new husband. But as his obsession with the house grows, so does his sinister plan to drive her insane. Carpenter doesn’t hold back in his praise for Bergman, calling her 'a dish' and marveling at her beauty and talent. Yet, the real question lingers: is this film a timeless exploration of gaslighting, or does it romanticize manipulation? That’s a debate worth having.
Directed by George Cukor (My Fair Lady), Gaslight is based on Patrick Hamilton’s play Angel Street and features a stellar cast, including Joseph Cotten, May Whitty, and a young Angela Lansbury. But here’s the kicker: while the film is often celebrated for its suspense, it also raises uncomfortable questions about power dynamics in relationships. Is it a cautionary tale, or does it inadvertently glorify toxic behavior?
Carpenter’s recommendations aren’t just about entertainment—they’re invitations to think deeper. Whether you’re a film noir aficionado or a casual viewer, these picks challenge you to look beyond the surface. So, here’s the question: Do these films hold up as masterpieces, or do they reflect outdated societal norms? Let’s hear your thoughts in the comments!
